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South Wales Evening Post column, November 29, 2024

Posted By RobertLloyd58

TIME was when I was young enough (and twp enough!) to talk about making a ‘fox pass’.

As a young cub reporter, I even committed the cardinal sin of scribbling ‘fox pass’ in a news story.

My editor at the time stopped short of a sharp rap across the knuckles with a metal ‘em’ ruler, but the verbal dressing down in the newsroom was enough to make sure I got the message that a ‘fox pass’ is a ‘faux pas’.

Faux pas literally means ‘false step’ in French, and that’s a great description of what you do when you make a faux pas.

Some dictionaries describe a ‘faux pas’ as meaning a significant or embarrassing error or mistake. In other words, a blunder, a gaffe or a mistake.

In 50 years of scribbling, I’ve made several blunders.

In fact, during just the last fortnight, I’ve managed to make three. So, if you do that maths, I reckon my faux pas career tally may well be approaching the five digits mark.

My three ‘faux pas’ (if that is the correct plural of the phrase) included making an eight-year-old cry, ‘probably’ offending an international rugby player and ‘definitely’ being rude to a charity volunteer.

Let’s start with the eight-year-old.

I was wearing my compere hat for a Young Musician competition being staged at a chapel.

Before the competition started, I was doing my best to help the different competitors relax into the occasion, making sure they had enough rehearsal time and giving them a preview of the stage area.

All was going well until I escorted the eight-year-old, her mum and accompanist to the stage area. I hadn’t banked on the youngster being intimidated by the size of the auditorium and, just as I uttered the words “And this is where you will be performing”, she burst into tears.

Thankfully, mum and accompanist rescued the day and some kind words were enough to restore her composure and she went on to perform brilliantly in the competition.

Next, let’s take the international rugby player.

One of my regular duties these days is taking daughter and three-year-old grand-daughter to various soft play venues around Swansea and Llanelli.

Visiting one on the Tuesday before the Wales v South Africa game, I was sat in the ball pit, concentrating on my grand-daughter and oblivious to the chap seated nearby in a dark tracksuit.

While throwing plastic balls about, I started explaining (in a loud voice) to my daughter that I’d been offered free tickets to the Wales v South Africa game at the Principality Stadium in Cardiff.

This may not be a verbatim account of my words, but I think I said something along the lines of ‘Free tickets! You couldn’t pay me to go and see Wales now. They’re rubbish. Australia slaughtered them and South Africa are going to hammer them. I can’t be bothered to trek to Cardiff to see that rubbish.”

My daughter didn’t seem that keen on engaging on that topic of conversation.

It was only when we exited the soft play that she explained, “You do realise that you were sounding off about Wales being rubbish in front of Kieran Hardy, the Ospreys and Wales scrum-half.”

Oh dear, never mind.

I consoled myself with the thought that perhaps he hadn’t heard me.

Finally, on the faux pas front, we come to the charity volunteer.

When it comes to emails, I can scribble a world class 300-word whinge.

I am, however, sometimes pressed for time (living in a world of imminent deadlines), so I can be forgiven (I hope) for pressing the ‘reply’ button on an email rather than the ‘forward’ one.

Such actions have consequences (as those who have committed a similar faux pas can tell you). The 300-word whinge (sent to the wrong person) has now been followed by a 301-word apology.

Oh dear, never mind . . .

—————————–

KIDS today, eh? You might tut every now and again, but for every tut there’s an occasion when they leave you gobsmacked.

One such occasion was Tuesday night, when I was lucky enough to help organise a Young Chef competition for Llanelli Rotary Club at Coedcae School.

The competition was one of several events organised by Rotary nationwide to help encourage and develop creativity in young people.

The competitors were between the ages of 12 and 14 – and, boy, did they know how to get creative.

The winner served up a main course of pan fired prawn garlic and lemon risotto with a nut crumb, followed by a dessert described as ‘baked cinnamon pear burrata tower served on a bed of crunch pistachio crumb and a sprinkle of pomegranate seeds’.

The judges were Katie Duffy, resident chef at Llanelli’s Halfway Hotel, and Hamish Burns, head chef and restaurant owner at The Moathouse in Kidwelly.

After they had completed their tasting, I confess I grabbed a fork and spoon and sampled both dishes. They were, of course, delicious.

Other contestants produced inspired dishes such as ‘rich tomato and aubergine ratatouille served on a bed of spaghetti, seasoned with fresh basil’ and ‘pan-seared chicken breast in a garlic, cream and herb sauce, topped with asparagus and a thin and crisp roast potato, served with naan bread’.

Just to check the judges had made the correct decision, I did, of course, have to sample all seven mains and seven starters served up by the contestants.

My verdict? All seven youngsters are potential MasterChef competitors.

And my final thought: At the age of 14, I couldn’t boil and egg, so I remain gobsmacked with the talent displayed by the kids of today.

Photo: Llanelli Rotary Club President Cerith Owens, with Young Chef competition judges Hamish Burns and Katie Duffy, winner Jake Gilmore and runner-up Millie Woods.

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South Wales Evening Post column, November 15, 2024

Posted By RobertLloyd58

A WISE man once declared, “You can live to be a 100 if you give up all things that make you want to live to be a 100.”

OK, I’ll pause there, as it wasn’t a very wise man. It was film director Woody Allen who said it – and he doesn’t get into the Top Three of Wise Men in my book.

But . . . that doesn’t mean I don’t agree with the essence of what he said, particularly as I am now in the ‘pensionable age’ bracket.

You name it, and I’ve got it – free bus pass, senior railway card, a stent in the ticker, a multi-tiered pillbox for all my medicines, dodgy knees and arthritis in the ankles.

With the discounted travel cards, I could hatch an escape plan, but I suspect the legs would let me down and I wouldn’t get very far.

Sometimes, I think the travel option may be over-rated as the world seems to come to me, via unsolicited mail and publicity flyers through the letterbox and unwanted emails through the electronic inbox.

For example, this week started badly with two flyers. The first suggested I take up the offer of an ‘open day’ visit to a nearby old people’s home. The second was a prompt to enrol with Pure Cremation, ‘the UK’s favourite funeral plan’. Other plans, are, of course available, but I still don’t understand how anyone can have a ‘favourite’ funeral plan.

Meanwhile, on a cheerier note, the good folk at Saga have been bombarding me with holiday offers and new deals on car insurance. It’s always nice looking at the pictures of the holidays. As far as the car insurance goes, I have replied to ask if they do deals on mobility scooters.

On the email front, it appears I have a lot more work to do on getting my spam filter settings tweaked on my inbox.

On Tuesday, a special offer landed from Hidden Hearing (other brands are available). ‘Get £2000 off a pair of our top-of-the-range hearing aids when you trade in an old pair’, it offered. That will be a ‘pass’ as I don’t have hearing aids at present, but Mrs L did suggest I visit some flea markets, pick up an old pair and see if I can ‘trade in’.

With a sense of timing which makes me wonder if my Alexa ‘voice-activated device’ is listening to my daily moans, an email arrived asking, ‘Does sitting make your back ache?’

Apparently, with the ‘Backfriend’ lightweight back support, I could get ‘positional relief from back pain wherever I sit’. Handy pictures illustrate it is light and portable and can be used ‘at home, driving, working, or relaxing’. There is no picture which suggests you can take it down the pub.

Sticking with taking care of the body, a Japanese firm emailed, suggesting I can ‘get rid of agonising foot pain without expensive medical bills’. Apparently, ‘acupressure insoles give the insoles a gentle massage with every step you take’. I am unclear whether they must be used while listening to a hit song by The Police. Also, they give the impression the sensation may be like walking on a pebble beach. So, that’s a pass from me, then.

On Wednesday, the email inbox was positively bulging with suggested purchases and free offers.

With respect to the Cardigan members of my family, I investigated the free offers first.

One posed the question – ‘Worried about diabetes at Christmas?’ Well, I wasn’t really concerned. But, now you come to mention it, yes, I’m worried. The free booklet offering ‘tips and advice for enjoying the festive period’ has been ordered and is on its way.

Also in the ‘that could be handy’ bracket was a special offer for a mobile phone designed for us ‘oldies’ – one with a simple interface for phone, messages and contacts and without the 500 apps and complicated clutter of most mobiles.

By all accounts, the new Samsung Galaxy A05s Easology Smartphone (other mobiles are available) has been specially designed for ease of use. Anything which stops me ‘pocket phoning’ the doctors’ surgery four times a day has got to be a good thing, right?

Meanwhile, on the personal hygiene front, a catalogue has arrived from a mobility firm offering special deals on walk-in-showers, baths and wet rooms.

It’s been placed on my reading desk, just underneath the 64-page brochure from a firm called Independence.

The entertainment value of this catalogue is very high as it offers devices to help easily open jars and wash your hair without water!

The telescopic back scratcher and the full-page magnifier have already been circled in blue pen.

The jury, however, is definitely out on ‘Cecil – All-in-one safety pants’.

The advert says that the ‘machine washable’ white pants have a lightly padded absorbent gusset and waterproof lining to provide total security for occasional ‘minor leaks’.

The pants ‘absorb up to 175ml of ‘liquid (about a teacup)’.

That’s a very specific piece of information for the home shopper, but I suspect that the person who sent me the catalogue may just be taking the p . . .

The bombardment of ‘oldie’ advertising may sometimes be overwhelming, but there are occasions when it is more entertaining than prime-time TV.

I must conclude with Theodore Roosevelt’s famous quote – “Old age is like everything else. To make a success of it, you’ve got to start young.”

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Latest On Song column – November 13

Posted By RobertLloyd58

SINGER Aled Jones will be making a welcome visit to Carmarthen to perform at The Lyric Theatre on Thursday (November 14).

The show is billed as Aled Jones – Full Circle.

Aled Jones was the boy treble who captivated the world with his angelic voice.

Selling more than seven million albums, Aled was the original, classical crossover star. His recording of Walking in the Air, from the animated film The Snowman, firmly established him as a household name and he has become an integral part of the nation’s festivities.

Equally at home on the classical stage, or starring in musical theatre productions in London West End, his credits include lead roles in Joseph and the Amazing Technicolour Dreamcoat, Chitty Chitty Bang Bang and Irving Berlin’s White Christmas.

As a singer, Aled is in demand globally and has performed in the world’s most iconic venues, from London’s Royal Albert Hall to the Sydney Opera House.

A favourite with the Royal Family, he even gave a private performance to King Charles III in Kensington Palace. He is an award-winning television broadcaster and radio presenter who’s interviewed hundreds of A-List stars over the years.

He heads up BBC’s Songs of Praise and his own Saturday and Sunday morning shows on Classic FM.

Now, after 40 years in the business, he’s looking back on a remarkable career with a one-man show, that will feature never-before-heard music, tales from the decades and for the first time, his story told in his own words.

Meanwhile, there’s a busy schedule of events coming up at Pontyberem Memorial Hall.

Welsh folk singer Dafydd Iwan will be bringing his band to the hall this Friday, November 15, (7pm).

Tickets are £20.50 and are available through the TicketSource website – https://www.ticketsource.co.uk/

On Saturday, December 7, there is a Triple Tribute evening, featuring The Valli Boys, The Take That Show and a Neil Sedaka tribute act. Tickets are £15.50 and it starts at 7pm.

Saturday, December 14, sees a ‘Christmas At The Hall’ event, featuring Ed Sheeran and Meat Loaf tribute acts and the popular Cover Notes band. Tickets are £20.50 and the show starts at 7.30pm.

This year’s pantomime at Pontyberem Memorial Hall will be Aladdin. It will run from January 8-12 and tickets are available through the TicketSource website.

The big attraction in Llanelli this week is Scarlet Musical Theatre Productions staging Andrew Lloyd Webber’s Sunset Boulevard.

Bridget Radford’s hard-working theatre group will be putting on four shows at the intimate Stiwdio Stepni at Ffwrnes Theatre, Llanelli, from November 14 to 16.

There will be four shows – 7pm on November 14 and 15, with a matinee and evening show scheduled in for 1.30pm and 5.30pm on Saturday, November 16.

The promotional material for Sunset Boulevard says, ‘Join us for the masterful adaptation of the 1950 film noir classic, weaving a captivating tale of faded stardom and unrequited ambition.

‘At its centre is the enigmatic and complex Norma Desmond, a once-glorious silent movie star who clings to her past glory as ‘the talkies’ revolutionised the industry.

‘Her crumbling facade is a testament to her unyielding determination to reclaim her spotlight, even as her glamour and charm begin to fade.

‘As Norma navigates her downward spiral, she becomes entangled with Joe Gillis, a struggling screenwriter torn between his own ambition and his growing feelings for Betty Schaefer, a talented script reader.

‘The resulting love triangle is fraught with tension and complexity, as the three characters navigate the cut-throat world of Hollywood.’

Lloyd Webber’s musical has lyrics by Don Black and Christopher Hampton.

The musical won Tony Awards in 1995 for Best Musical, Best Score and Best Book. In 2024, Sunset Boulevard won the Laurence Olivier Award for Best Musical Revival.

The Llanelli show is being directed by Carmarthen’s Steve Elias, whose CV includes a whole host of West End shows. The musical director is Bridget Radford.

Cast members included Ashton Williams, Cai Francis, Carys Gower, Emily Kelly, Ffion Moore, Gareth H Evans, Holly Bradford, Jac Owens, Jenna Barnard, Joel Trinder, Justine Davies, Kim Darkin, Lewis Francis, Matthew Tucker, Millie Tanner, Rebecca Lewis and Rebecca Timbrell.

Tickets are £14 and you can book online at www.theatrausirgar.co.uk or contact the Box Office on 0345 226 3510.

Also in Llanelli, the date has been announced for this year’s Festival of Light service in aid of Ty Bryngwyn Hospice in Llanelli.

The service will take place at 6pm on Monday, November 25, at Greenfield Chapel.

The congregation will be welcomed by the Salvation Army band, who will also accompany the community signing.

There will be performances by Cor Llesisiau’r Llan, Cor Meibion Mynydd Mawr and the pupils of Ysgol y Felin, Llanelli.

Forms will be available at the service for donations and from the secretary of the hospice appeal fund on 07548 220122, by emailing secretary@tybryngwyn. org.uk or by downloading one from www.tybryngwyn.org.uk

Tickets are available from the secretary, committee members, or Davies Craddock Estates, 18 Murray Street, Llanelli, with a limited number available at the door on the night.

Looking further ahead, Carmarthen tenor and BBC radio star Wynne Evans will be bringing his Christmas Special to Llanelli’s Ffwrnes Theatre on December 20.

The concert will feature the greatest Christmas hits and songs from Wynne’s debut album, A Song in My Heart, which shot straight to No1 in the classical album charts.

Now a household name, Wynne is a host on BBC Radio Wales and regularly features as Gio Compario in the Go Compare TV Commercials. He is currently on TV in Strictly Come Dancing.

Wynne has performed as the principal tenor with the Welsh National Opera, appearing at Covent Garden’s Royal Opera House, Opera De Lyon in Paris and The Metropolitan Opera House in New York. He received critical acclaim for his Royal Albert Hall performance as Piangi in the 25th anniversary concert of The Phantom of the Opera.

Performing an array of the most popular arias, musical theatre hits and popular classics, Wynne will be on stage with a live orchestra, choir and special guest vocalists.

Tickets are £40.50.

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Review: Meibion Elli fifth anniversary concert

Posted By RobertLloyd58

Review: Meibion Elli at Greenfield Chapel, with special guests The Phil Harmonics and West End star Samuel Wyn-Morris.

 

LLANELLI male voice choir Meibion Elli celebrated their fifth anniversary with a special concert staged at Greenfield Chapel in the town centre.

Meibion Elli choir are growing in numbers under the direction of D Eifion Thomas and accompanist Aled Maddock.

The anniversary concert proved to be a memorable and inspiring evening of fine choral singing, mixed in with superb solo performances.

Meibion Elli’s growing reputation for musical excellence was underscored by a programme of various musical styles which appealed to the large audience in Greenfield Chapel.

John Thomas, David Williams (Dai Llansaint) and Alan Owen were the choir’s three featured soloists.

Special mention must be made of the choir’s inspirational blockbuster performance of the Finale to Act 3 of Verdi’s Nabucco (The Slaves’ Chorus), with John Thomas featuring in the role of Zachariah.

Baritone John also moved many members of the audience to tears with his emotional solo during Precious Lord.

Llanelli ladies choir The Phil Harmonics were Meibion Elli’s guests for the evening, performing under the direction of Sarah Mair Richards and accompanied by Phillip Thomas.

Delivered with obvious joy, their programme was greatly appreciated. There were splendid performances from the two featured soloists, Sara Owen and Hazel Jones.

The icing on the cake was the appearance of Llanelli’s very own West End star, Samuel Wyn-Morris.

Sam, accompanied by Stewart Roberts, showed how his West End and international tour experience has added great depth to his singing. His performance of Bring Him Home (from Les Miserables) was captivating in its feeling and intensity.

The concert reached a stirring climax with both choirs and Sam joining forces to deliver a memorable rendition of the prayer from the musical Carousel, You’ll Never Walk Alone.

Meibion Elli choristers deserve a round of applause for a concert which illustrated the depth of singing talent in Llanelli. We can only hope for more of these dazzling concerts in Llanelli.

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South Wales Evening Post column, November 08, 2024

Posted By RobertLloyd58

BACK in July, I was a Bear. For some strange reason, in August, I became a Dolphin. This week, it turns out that I am now a Parrot.

Confused? Please don’t lose any sleep over it. Leave the worrying to me.

Here’s the explanation: as part of my cardiac rehab regime, I wear a fitness device on my wrist which monitors how many steps I take every day, how my heart is performing . . . and how well I sleep.

When you get to my age, sleep is very important.

Back in my teens and 20s, ‘pulling an all-nighter’ was an idiom which summed up those occasions when you needed to work or study through the night.

Today, ‘pulling an all-nighter’ has a different meaning among the group of oldies I meet for a weekly coffee.

A successful ‘all-nighter’ today is that glorious occasion when you manage to get seven straight hours in bed . . . without having to get up to go to the toilet!

These are occasions as rare as hen’s teeth and need to be stamped in red on the software app that runs my fitness device.

The app monitors my sleep like some sort of mad science experiment.

It checks sleep schedule variability, sleep start time, the time it takes before sound sleep, sleep duration, deep sleep, REM sleep, restorative sleep, sleep stability, nights with long awakenings and, finally, days with naps.

Happily, I can plead not guilty to sneaky naps in the daytime (for now), but I must admit that checking the sleep function on the fitness app can become a bit obsessive.

It’s not reached the point where it’s keeping me awake at night, but I am probably overthinking the whole thing.

I’m getting a bit too freaked out by the app’s insistence on creating labels for monthly sleep patterns.

This month, I am a Parrot. Apparently, this label says the following about my sleep patterns –

‘Parrots tend to keep a consistent bedtime, and don’t sleep too early or too late. They typically reach sound sleep quickly, and usually get a good amount of sleep each night.

‘Once they drift off, Parrots sleep deeply, but they can be light on REM (for the layman, REM means Rapid Eye Movement – the stage of sleep where most dreams happen).

‘Parrots may wake up briefly throughout the night. Most of these wake-ups are so brief they might be forgotten, usually leaving Parrots with an adequate amount of sleep to avoid naps the next day.’

Apparently, the Parrot label reflects the fact that the birds have ‘lively attention spans and lots of energy’.

Back in July, the Bear label reflected the fact that ‘after a long day of foraging, most bears settle into a long, undisturbed sleep’.

And, in August, the Dolphin tag was ‘because dolphins need to stay on the move, only one half of their brain gets to sleep at a time’.

At various stages of my career, sleep (or the lack of it) seems to have featured prominently.

Once upon a time, with my media consultant hat on, I did some work for an innovative firm which brought organic mattresses to the British market from a small factory in Tycroes, near Ammanford.

It was interesting work, but the fringe benefits of the job did not include being allowed to sleep on handmade mattresses lovingly made of the softest lambs’ wool and organic cotton.

Notable parts of the publicity campaign did, however, include shipping beds and mattresses to Instagram locations in Wales, where models would ‘cwtsh-up’ and be pictured enjoying restful sleep in the open air.

On another memorable occasion, we saw Prince Charles (now King Charles III) visit the factory. Predictably, attempts to get a photo of the then Prince lounging on a mattress failed.

And another event at the factory, back in 2015, saw the then Bishop of St David’s, Wyn Evans, arrive to give the factory a ‘blessing’. Yes, it was a ‘believe it or not’ moment, but good publicity, as it happens.

Back with my ‘hack journalist’ hat on, there have been plenty of occasions when sleep has had to take a back seat to the demands of newspaper deadlines.

Working all night covering General Election and Senedd (Welsh Assembly) elections for this fine newspaper always proved to be good fun, with the adrenalin of the events driving you through to dawn and the treat of a full fry-up breakfast at Wyn Price’s Continental Grill in Wind Street (a much-loved institution and meeting place which, sadly, no longer exists).

Another all-night work shift which sticks in the mind surrounds the death of Pope John Paul II back in April, 2005.

The Pope’s health had been declining for some time and the team at the Evening Post had worked hard to prepare a 24-page ‘special supplement’ tribute to the life of His Holiness.

The special was locked down ready to print, but someone was needed to man the hotline at the old Evening Post HQ in Adelaide Street. The task was simple as all the hard work had been done. All I had to do was ring the printers as soon as news came through about The Pope’s death and tell them to put the ‘special’ on the Press.

Stuck in Adelaide Street, I couldn’t do my usual dad duty of dropping my son off at school.

My absence from the school drop-off was noted by some of my son’s pals.

“Where’s your, dad?” they asked.

My son (never known for giving long explanations when only a few words will do) replied, “He’s in the office . . . waiting for The Pope to die.”

On that note, I shall finish scribbling for the day . . . I think I can feel a nap coming on!

Twitter: @rlloydpr

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Latest On Song column – November 06

Posted By RobertLloyd58

THERE’S a big date in the musical calendar coming up for youngsters in Carmarthenshire.

The annual Llanelli Rotary Club Young Musician Competition is on Saturday, November 16.

The competition is open to all young people up to the age of 17 on August 31, 2024.

There are two categories in the competition: solo instrumental and solo vocal.

Llanelli Rotary Club president Cerith Owens said the competition provided an annual platform for budding young musicians and singers.

He said: “Music is the international language and Great Britain and Ireland is home to some of the most talented young instrumentalists and vocalists in the world.

“We celebrate this talent with a sequence of competitions that offer many young people the chance to demonstrate their musical skills, whether classical or modern.

“Participants will get the chance to experience performing on a public stage and receive feedback from experienced adjudicators.

“The Rotary Young Musician competition is organised over different stages; club level, district (including preliminary area finals), regional heats and a national final.

“The competition is open to all young people up who meet the age requirement.

“They may be an individual, or from any group or community organisation, including schools and colleges, home educated, other young peoples’ community organisations, for example, community RotaKids, community Interact, Scout Groups, Girl Guides, etc.

“It should be noted that some entrants may be 18 at the time of some or all stages of the competition i.e. a competitor who is 17 on 31st August but turns 18 on 1st September is allowed to enter.

“The competition is for amateur musicians. An amateur is considered to be a person whose main source of income is not made from musical performances, although there may be occasions when the receipt of occasional out of pocket expenses or prizes may be received.

“This is a competition at which competitors are judged within the context of a live performance. Competitors perform a work or selection of works of their own choice within a time not exceeding 13 minutes.”

For application forms or further information please contact cerithowens@sky.com or 07854 303918

Meanwhile, in Llanelli, the date has been announced for this year’s Festival of Light service in aid of Ty Bryngwyn Hospice in Llanelli.

The service will take place at 6pm on Monday, November 25, at Greenfield Chapel.

The congregation will be welcomed by the Salvation Army band, who will also accompany the community signing.

There will be performances by Cor Llesisiau’r Llan, Cor Meibion Mynydd Mawr and the pupils of Ysgol y Felin, Llanelli.

Forms will be available at the service for donations and from the secretary of the hospice appeal fund on 07548 220122, by emailing secretary@tybryngwyn. org.uk or by downloading one from www.tybryngwyn.org.uk

Tickets are available from the secretary, committee members, or Davies Craddock Estates, 18 Murray Street, Llanelli, with a limited number available at the door on the night.

This weekend, Llanelli’s Meibion Elli male choir are planning a fifth anniversary concert on Saturday, November 9.

It will be held at Greenfield Chapel and will feature Llanelli’s Samuel Wyn-Morris and the popular Llanelli-based Phil Harmonics ladies choir.

Meibion Elli will be under the baton of musical director Eifion Thomas, with Aled Maddock as the accompanist. The Phil Harmonics will be under leader Sara Richards and musical director Phil Thomas.

Tickets are £15 and can be purchased at Llanelly House with a percentage donation going to the Georgian tourist attraction for each sale.

Tickets can also be obtained through Davies Craddock Estate in Murray Street, Llanelli, with a percentage of their sales going towards the Ty Bryngwyn Hospice in Llanelli.

Tickets can also be purchased at Llanelli Docks Post Office and from choir chairman Mr Thomas on 01554 820644 or 07985136672.

In other news, the team at Scarlet Musical Theatre Productions are busy rehearsing for their next event – staging Andrew Lloyd Webber’s Sunset Boulevard.

Bridget Radford’s hard-working theatre group will be putting on four shows at the intimate Stiwdio Stepni at Ffwrnes Theatre, Llanelli, from November 14 to 16.

There will be four shows – 7pm on November 14 and 15, with a matinee and evening show scheduled in for 1.30pm and 5.30pm on Saturday, November 16.

The promotional material for Sunset Boulevard says, ‘Join us for the masterful adaptation of the 1950 film noir classic, weaving a captivating tale of faded stardom and unrequited ambition.

‘At its centre is the enigmatic and complex Norma Desmond, a once-glorious silent movie star who clings to her past glory as ‘the talkies’ revolutionised the industry.

‘Her crumbling facade is a testament to her unyielding determination to reclaim her spotlight, even as her glamour and charm begin to fade.

‘As Norma navigates her downward spiral, she becomes entangled with Joe Gillis, a struggling screenwriter torn between his own ambition and his growing feelings for Betty Schaefer, a talented script reader.

‘The resulting love triangle is fraught with tension and complexity, as the three characters navigate the cut-throat world of Hollywood.’

Lloyd Webber’s musical has lyrics by Don Black and Christopher Hampton.

The musical won Tony Awards in 1995 for Best Musical, Best Score and Best Book. In 2024, Sunset Boulevard won the Laurence Olivier Award for Best Musical Revival.

The Llanelli show is being directed by Carmarthen’s Steve Elias, whose CV includes a whole host of West End shows. The musical director is Bridget Radford.

Cast members included Ashton Williams, Cai Francis, Carys Gower, Emily Kelly, Ffion Moore, Gareth H Evans, Holly Bradford, Jac Owens, Jenna Barnard, Joel Trinder, Justine Davies, Kim Darkin, Lewis Francis, Matthew Tucker, Millie Tanner, Rebecca Lewis and Rebecca Timbrell.

Tickets are £14 and you can book online at www.theatrausirgar.co.uk or contact the Box Office on 0345 226 3510.

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