Burry Port Town Band will stage an evening of ‘Music from the Stage and Shows!’ at the Memorial Hall onSaturday (July 20) at 7pm.

The concert will feature the Senior Band, the ever-growing Junior Band and a very special guest artist, Samuel Wyn-Morris.

Samuel is already a familiar name on the West Wales concert circuit.

He is a 22-year-old proud Welsh-speaking Llanelli boy; a former head boy at Ysgol y Strade.

In 2017, Sam graduated from the prestigious Guildford School of Acting (GSA) with a First Class Honours Degree in Musical Theatre.

In 2018, he made his professional debut at The Old Vic in London.

While training at GSA, he was one of the few chosen as a nominee for the Andrew Lloyd Webber Scholarship.

In his graduating year, Sam played leading roles in Guys and Dolls, Catch Me If You Can and Forbidden Broadway.

As a part of a 100 strong-choir, he performed at the prestigious BBC Maida Vale studios and the Royal Festival Hall in celebration of the 40th anniversary of the Olivier Awards, a show which was broadcast live on BBC Radio 2.

Since graduating, Samuel has pursued his ambition of performing in London’s West End and he hopes 2019 will be his breakthrough year.

He is proud of the fact that he was the first and founder member of LARS (Loud Applause Rising Stars).

One of his highlights with LARS was in 2018 when he performed at the Second World War Liberation Commemorations in the city of s’Hertogenbosch in the Netherlands.

Samuel has appeared on TV in the Noson Lawen programme, Heno and Prynhawn Da.

He is also a popular guest soloist, having performed with Pendyrus Male Choir, Côr Meibion Llanelli Male Voice Choir, Noteworthy, Morriston Ladies Choir and the Morriston Orpheus Choir.

Burry Port Town Band musical director Ceri John said: “The band are looking forward to entertaining our audience back home in Burry Port and sharing the stage with Samuel Wyn-Morris.

“We will be featuring some of the best loved music from the stage and shows, all celebrating the musical diversity of today’s modern brass band. This show will have something for everyone.”

The senior band are delighted to share the stage with the youngsters of the Burry Port Junior Band.

The youngsters are rehearsing in earnest for their performance, planning to bring some of their youthful fun and enthusiasm to the concert.

The evening will be all under the control of a skilful compere in the shape of Gwendraeth Valley actor Ioan Hefin, a favourite with the audiences at the Memorial Hall.

Ioan is known for a wide range of acting performances, both on television and film. His film appearances include Miss Peregrine’s Home for Peculiar Children (2016), Apostle (2018) and The Watcher in the Woods (2017).

Tickets will be available on the door for £12.50, or at a special early bird rate of £10 if you buy in advance from band partners – Premier Store, Burry Port and Elgan Jones Butchers, Burry Port.

Burry Port Town Band has a long and colourful past, with the first historical mention of the band, originally named the Elliots Smelting Works Band, found in 1896.

The band grew from this humble, industrial beginning and established itself as a community favourite, playing at local fetes and marches and raising money to support both itself and worthy causes.

One such worthy cause came at the turn of the century when the band organised a march for the destitute and unemployed of Kidwelly, which raised the princely sum of £8.

However, the band had wider ambitions than its local stage, and during its first period the lifeblood for the band quickly became the contest stage.

Indeed, a major highlight during this time was the band’s performance at the Crystal Palace in London.

Sadly, just before the outbreak of the Second World War the band’s fortunes took a turn for the worse and it disbanded.

Gone, but not forgotten, decades later, in 1972, a group of local enthusiasts held a meeting with the aim of re-establishing the band.

Old instruments and a library of music were discovered, and these, together with some new purchases, a place to rehearse and a keen group of volunteers, sowed the seeds of the band’s renaissance.

The band continued to grow in terms of its level of performance throughout the 1980s and 1990s, winning a host of prizes in 4th, 3rd, 2nd and 1st Sections and in 2000, the band was promoted to the elite Championship Section.

Since 2001, the band has seven times claimed the title of Champion Band of Wales, four times won the National Eisteddfod of Wales and three times represented Wales at the National Brass Band Championships of Great Britain at the Royal Albert Hall in London, competing against the country’s top 20 bands.

In 2005, the band also claimed victory in the British Open Senior Cup competition at the Winter Gardens, Blackpool, beating off the challenge of 20 other bands from across the United Kingdom.

In recent years, Burry Port Town Band have enjoyed performing alongside Paul Potts, John Owen Jones, Richard Allen, Timothy Richards, Côr Meibion Llanelli, Lleisiau’r Cwm, Côr Curiad, Twrw Tawe, Côr Aelwyd y Waun Ddyfal, The Tenovus Cancer Care Swansea Sing With Us Choir and S4C Côr Cymru Champions Parti Llwchwr.

The band prides itself on remaining a top-flight brass band.

Band organisers are keen to ensure that future generations of young players enjoy the opportunity of playing a brass instrument without any financial pressure on their families.

To which end, they run, without any cost to the young brass and percussion players, a Junior Band which rehearses on a Sunday evening from 5pm to 6pm, in the bandroom on Morlan Terrace, Burry Port.

In other news, the choristers from Llandyfaelog-based Côr Meibion Dyffryn Tywi are getting ready for their annual concert.

It will be at the Princess Gwenllian Centre in Kidwelly on Saturday, October 12, 7pm.

The choir will be joined by Gwendraeth Valley’s Côr Meibion Mynydd Mawr. The evening will also feature special guests Pantel and Trio.

The popular Concerts and Cakes initiative returns to The Lyric in Carmarthen at 1pm on Wednesday, July 24.

Concerts and Cakes helps bring people together regularly to provide a forum for the sharing of high quality live music.

Each session is delivered in cabaret style and begins with an informal participatory music session led by Live Music Now musicians, followed by tea and cakes.

Live Music Now is the UK’s leading musicians’ development and outreach charity.

They provide exceptional live music experiences to people with limited access to the arts, due to disability, illness or social disadvantage.

Participants benefit from the amazing therapeutic, social and emotional benefits of engaging with live music – an experience that transforms and enriches lives.

You can find out more about Live Music Now on their website – www.livemusicnow.org.uk

Feedback on the Concerts and Cakes idea has been great, so do pop along.

There will be a chance to see the Live Music Now team again when they visit Ffwrnes Theatre at 1pm on August 28. Make a note in your diary!

If you have news about the choral or concert scene in Llanelli, email robert.lloyd01@walesonline.co.uk

Japanese knotweed is one of the world’s most invasive species, leaving some homeowners unable to sell their homes.

Garden experts from GardeningExpress.co.uk have revealed the five main signs of the weed in an attempt to save Britain’s buildings.

Garden gurus from  GardeningExpress.co.uk  have revealed the tell-tale signs of the destructive weed so Brits can protect their homes and gardens.

Listed by the World Conservation Union as one of the world’s worst invasive species, the weed’s root system and rapid growth can damage concrete foundations, buildings, roads and paving.

Some UK homeowners have even been unable to sell their homes because of evidence of knotweed on the property.

Chris Bonnett from  GardeningExpress.co.uk  said: “Just going from its appearance, Japanese Knotweed is the kind of thing you might welcome in your hedgerow.

“To some it can look quite attractive with its creamy white flowers and heart shaped leaves – but before you know it, it’s taken hold and is eating through the walls of your house.

“Japanese knotweed is so invasive that it can grow by a metre a month and can cause damage to your home – but the trouble is it can very easily be mistaken for a shrub by a novice gardener.

“These tips should help Brits identify this pesky plant, but if you’re still not sure, check online or ask an experienced gardener.”

1. Red shoots

(Image credit:  https://knotweeddoctor.co.uk/ )

New shoots will start to emerge in the spring – these are red/purple and can look a bit like asparagus spears. The leaves are normally rolled up and dark green or red in colour.

2. Leaves

As the leaves start to spread out, they’ll become a vibrant green colour and heart/shovel shaped with a point at the tip. Some can be as big as 20cm across and they grow staggered at the stem.

3. Flowers

In late summer and early autumn small clusters of white/cream flowers will appear. The clusters grow to approximately 0.5cm wide but up to 10cm long. The leaves will still be apparent and along with the flowers, it will create a dense foliage.

4. Stems

The stems are mostly hollow and bamboo like, with nodes and purple speckles. The general growth habit has a distinctive zigzag appearance. Stems can also grow up to 3 metres tall. In the winter, the stems become brittle.

5. Roots/rhizome

The rhizomes are the underground part of the weed. If fresh, they will snap easily. The outside is dark brown, and the inside is usually an orange/dark yellow colour. The Japanese knotweed rhizome system can grow to depths of 2 metres and can extend up to 7 metres horizontally from the plant. As little as 0.7g of rhizome can give rise to a new plant – which is one of the reasons this weed can become such a nuisance.

By Mark Jones, director of Carmarthen-based Clay Shaw Butler chartered accountants and business consultants. The Money Matters column appears in the Pembrokeshire Herald, the Carmarthenshire Herald and the Llanelli Herald newspapers.

The taxman at HMRC has published a report showing that the UK tax gap in 2017/18 is estimated to be £35 billion.

This is 5.6% of total theoretical tax liabilities, and a small increase of 0.1% from 5.5% in 2016/17. HMRC therefore secured 94.4% of all tax due.

The tax gap is the difference between the amount of tax that should be paid to HMRC compared to what is actually paid.

Further details in the report show:

• the overall tax gap has fallen from 7.2% since 2005/06
• the duty-only excise tax gap has reduced from 8.4 % in 2005/06 to 5.1% in 2017/18
• the corporation tax gap has reduced from 12.5% in 2005/06 to 8.1% in 2017/18.

Jesse Norman MP, Financial Secretary to the Treasury, said: “The UK’s low tax gap underlines both how the vast majority of people are paying the correct amount of tax, and how effective HM Revenue and Customs has been in its efforts to clamp down on tax evasion and avoidance.”

The report advises that the majority of taxpayers want to get their tax right, but many are still finding this hard, with avoidable mistakes costing the Exchequer more than £9.9 billion a year.

HMRC advise that £3 billion of this is attributable to VAT alone.

With the introduction of Making Tax Digital (MTD) for VAT, HMRC anticipates that the tax lost due to avoidable errors will be reduced because of the improved accuracy that digital records provide.

Meanwhile, latest statistics show that two-thirds of EU citizens that are currently in the UK are here for work.

The government is advising that if these individuals plan to remain living and working in the UK, after it leaves the EU, they can now apply to the EU Settlement Scheme (EUSS).

EU, EEA, or Swiss employees, and their family members, can apply to the EUSS if they want to continue to live, work, and study in the UK after 31 December 2020.

This applies whether UK leave the EU with a deal or with a ‘no deal’. Under the scheme, successful applications will be granted either settled or pre-settled status.

Status depends on how long they have been living in the UK when they apply.

In both cases, they can continue to work in the UK, use public services like the NHS, and access public funds such as pensions.

Irish citizens do not need to apply.

The government has created an employer toolkit to help EU citizens with their application.

The toolkit includes items such as posters and videos and information on how to apply.

Employers do not have any obligation to share any information or even check whether employees have applied.

However, they may wish to offer reassurance to their employees and make sure they have the right information. Employers have a duty not to discriminate against EU citizens with regards to the UK’s decision to leave the EU, both as a prospective and current employer.

The employer toolkit is here –  https://www.gov.uk/government/publications/eu-settlement-scheme-employer-toolkit

You can find out more about money matters on the Clay Shaw Butler website (under our news for business section) – http://www.clayshawbutler.com/news/latest-news-for-business

We have a strong and experienced team with great local knowledge all geared-up to helping you get the very best from your finances – whether that is as an individual or as a business.

We stay ahead of the game by putting great store by continual professional development for our staff.

With Investors In People status at Clay Shaw Butler, we care passionately about making sure our staff have all the tools they need to serve you, our customers.

Weblink – http://www.clayshawbutler.com

The team at Clay Shaw Butler can be contacted on 01267 228500.

The team at Clay Shaw Butler are on Twitter. Look for @clayshawbutler.

The UK Civil Aviation Authority has published its fourth annual report on the disability access of the UK’s largest airports.

The accessibility framework is a world-first and is driving improvements in performance to help improve accessibility across UK airports.

In total, there were a record number of 3.7 million requests for assistance at UK airports in the latest year – a rise of over 80 per cent since 2010.

The Civil Aviation Authority’s accessibility report reveals that 14 airports have been rated ‘very good’. A further 16 airports were rated ‘good’.

Four airports that were classified as ‘very good’ last year received ‘good’ ratings this year, while Manchester Airport was classified as ‘needing improvement’ – although this was an improved rating from ‘poor’ in the previous two years.

However, the Civil Aviation Authority expects Manchester Airport to take immediate action to reverse a recent decline in performance since the end of this reporting year in time for the next accessibility reviews. We have received assurances from the airport that it has plans in place to address this issue and we will be closely monitoring the implementation of these plans and their impact on performance.

For the first time since the framework’s introduction in 2016, no airports were classified as ‘poor’.

To achieve a ‘very good’ classification, airports most provide high quality support on the day of travel as well as keeping in regular contact and consultation with its users.

The report highlights room for improvement, with research showing that nearly a quarter of disabled and less mobile passengers said they requested assistance because the airport environment was becoming more difficult to navigate.

The Civil Aviation Authority will work closely with airports to improve accessibility for disabled passengers.

As part of this drive for improvements, this will be the last year that the accessibility framework will use the current criteria. Since April this year, airports have been assessed using stricter targets, to improve the passenger experience and create a more seamless journey. Airports will need to further improve in order to retain or improve their classifications going forward.

Paul Smith, Consumers and Markets Director at the UK Civil Aviation Authority, said:

“These results show significant improvements to the experience many disabled passengers faced before our reporting began. We hope this will help passengers to feel confident and empowered to travel from UK airports.

“While it is good to see the general improvements, airports will need to continue to work hard to improve, so that they are able to meet the more demanding performance standards that we have now introduced. Where we see examples of bad practice, we will not hesitate to hold airports to account and take the necessary action.”

The UK Civil Aviation Authority’s accessibility report covered a 12-month reporting period of 1 April 2018 – 31 March 2019.

14 airports received ‘Very Good’ status:
Aberdeen, Belfast City, City of Derry, Cornwall Newquay, Doncaster Sheffield, Edinburgh, Exeter, Glasgow, Glasgow Prestwick, Humberside, Kirkwall, Norwich, Southampton, Sumburgh.

16 airports received ‘Good’ status:
Belfast International, Birmingham, Bournemouth, Bristol, Cardiff, East Midlands, Inverness, Leeds Bradford, Liverpool, London City, London Gatwick, London Heathrow, London Luton, London Southend, London Stansted, Newcastle.

1 airport received ‘Needs Improvement’ status:
Manchester

0 airports received ‘Poor’ status.

Last year’s accessibility report can be found at:

http://publicapps.caa.co.uk/docs/33/20180711%20CAP1679%20FINAL.pdf

Centre Kieran Williams has put pen to paper on his first professional contract, taking the number of players to sign new deals with the Ospreys ahead of the new season to 18.

The former Glynneath RFC youngster, who has featured 24 times for Neath in the Welsh Premiership, has been rewarded for the potential he has shown when on regional duty in the British & Irish Cup and Celtic Cup over recent seasons, despite some niggling injury problems that have limited his game time.

The 22-year old was a regional age-grade champion with the Ospreys at U18 level, shining in a 43-14 win over Cardiff Blues in the 2015 final when he scored two tries alongside his centre partner, Owen Watkin.

Williams has made four senior appearances for his home region so far, having made his debut off the bench in an LV= Cup loss to Harlequins at St Helens in November 2016. His one Guinness PRO14 appearance to date came away to Zebre at the end of the 2017/18 season.

Speaking about his new contract, Williams said he’s looking to the future and rewarding the coaches for their faith in him.

“I’m massively pleased. Personally, it’s been a tough last two years but with this contract I can look to the future and really push for a starting spot.

“This pre-season I want to hit the ground running so I can really do something with these next two years. It’s fantastic that the coaches have recognised my potential. It’s just a case of rewarding that trust and really doing something with it.

“I’m still young and the aim is to improve, get fitter, faster, and become a better all round player. I can only do that if I’m consistently playing, and consistently playing well.”

Williams joins fellow youngsters Will Griffiths, Dewi Lake, Harri Morgan, Morgan Morris and Tiaan Thomas-Wheeler

“We know Kieran’s got pedigree, he’d a standout campaign for Wales U20s two years ago” said Ospreys Head Coach, Allen Clarke.

“A number of injuries have hindered his progress but with a bit of good fortune he’ll put a run of games together and we’ll see his undoubted potential come to the fore over the next two seasons.

“Kieran’s another local boy who’s passionate about the club and we’re delighted he’s committed to his home Region.”

Senior players to have re-signed this year are:

Lloyd Ashley, Cory Allen, Matthew Aubrey, Hanno Dirksen, Dan Evans, Alun Wyn Jones, Luke Morgan, Scott Otten, Ifan Phillips, Luke Price, Nicky Smith and Gareth Thomas

First professional contracts:

Will Griffiths, Dewi Lake, Harri Morgan, Morgan Morris, Tiaan Thomas-Wheeler and Kieran Williams

New Recruits:

Gareth Anscombe, Gareth Evans and Carl Hogg (Forwards Coach)

The links between Llanelli and Carwyn James’s Italy are being strengthened further.

Italian rugby team Grifoni Oderzo Rugby visited to Llanelli earlier this year as part of a Carwyn James Tour.

Now, former teacher Angelo Morello is looking to develop the links between west Wales and the northern corner of Italy by developing cultural as well as rugby ties between the two nations.

The ‘Carwyn James Rugby Legacy’ is already active in and around Treviso, Bologna and Rovigo.

Carwyn James occupies a landmark position in Welsh rugby history – the coach of the 1971 British and Irish Lions tour to New Zealand, the only Lions side ever to win a series against the All Blacks.

He is also regarded with something approaching awe in Italy, where he coached Rugby Rovigo in the north-eastern corner of the country.

Carwyn James died aged just 53 in 1983 – but his legacy lives on nearly 40 years after his death.

And evidence of that comes in the continued rugby links between Wales and Italy.

One of those keeping the torch burning in Italy is Angelo Morello.

He explained: “I am a former teacher of foreign literatures in Italian grammar schools. When Carwyn arrived in my town to coach our first XV (1977) I was asked to assist him.

“We made friends from the first time I met him, and began talking about lots of matters, from rugby to politics, to poetry, music, art, life, etc.

“He very often came to my place where we enjoyed the dinners my wife cooked. I had a daughter (four years old) and a son (one year). I tried to teach him some Italian, but it was a failure (he had no time to study!).

“I translated his weekly newspaper articles on Il Resto del Carlino of Bologna (first season) and Il Gazzettino (second season) of Venice.

“I met some of his friends who came to Rovigo to speak to him (John Reason, Roy Bish, Onlwyn Brace, Gwyn Evans, Ieuan Evans, Alun Richards, his sister Gwen, Nora Isaacs, and many others). When he died I felt I had to do something to keep his name in our lives and, together with his nephew, Llyr James, and his brother, Dewi, we started.

“Many people have come to Rovigo on a sort of pilgrimage after he died, and everybody called me beforehand because they knew I was the guy who knew about him as a multi-sided man rather than a rugby coach only.

“The first one was Wynne Lloyd from Llandaff, a BBC director (cultural documentaries). He was my guest for 40 days. Then Gareth Price, the former BBC Wales general manager, followed with his wife Mary. Others kept coming over the next 15 years.

“Because the area where I live (Po valley) shared with Wales three historical periods (Proto-Roman, Roman, Celtic) Wynne Lloyd and I organised a cultural week in Rovigo followed by a second cultural week in Cardiff one year later in order to discuss our past civilization.

“Many first class professors from Wales took part and stayed in Rovigo a few days. We did the same the year after.

“In 1997 I translated Alun Richards’ play ‘The Horizontal Life’ and an Italian company performed it for the first time in Italy.

“Alun came over and we added a concert by Sian James and an art exhibition with paintings by Mary Lloyd Jones.

“The ties between the two countries got stronger and stronger, other films about Carwyn followed, until Alun Gibbard (Llanelli author) came and met me to go deeper into Carwyn’s stay in Rovigo – a biography was published later (Into the Wind).

“However, Llyr and I felt that we had to build stronger and regular ties with Wales, and the Carwyn James Rugby School was established.

“This year it turned into ‘Carwyn James Legacy Association’.

“We have a lot of projects for the future.”

Angelo added that the Carwyn James Legacy would help promote events other than rugby given Carwyn’s many interests – poetry, music, politics, Welsh language and literature, journalism, etc.

One idea is to invite two Welsh choirs to the Treviso, Bologna and Rovigo area next year, to sing alongside two Italian choirs.

Angelo continued: “I’d be more interested to hear what the people of Llanelli think about developing further links with Italy to continue the Carwyn James Legacy.”